It was my first time to walk through Tahrir after three months away from Egypt, and I don’t quite know why I was so bewildered and shell-shocked. Perhaps it was the heaviness of the atmosphere in the square, the squalid tents and crowds of resilient protesters holding onto the last threads of dying hope. Continue reading Return to Tahrir: Two Years and Graffiti of the Martyrs
Eighteen months on, their names are forgotten. They’ve become numbers, over a thousand people who died bravely and innocently, shot dead, electrocuted, beaten and tortured by police and soldiers who – 18 months later – are either found innocent or were never there in the first place, due to lack of evidence. Because photographs, videos, testimonies and countless reports by human rights groups don’t count. It must have been Hammas.
Mural by Shaza Khaled and Aliaa El Tayeb, who studied at the Luxor Faculty of Fine Arts. The mural is inspired by a photo-shopped image of a protester in Greece dancing with a ballerina.
Once again, graffiti has returned to the streets of Tahrir and the Mogama’ building as Egyptian demonstrators flooded back to the Square on November 19th. The street art covers layers of previous graffiti on the walls of Mohamed Mahmoud Street, only this time the tone is more sombre, calling for the freedom of jailed activists, commemorating those who lost their eyes or died during the November 19 protests, and denouncing the regime for the atrocities and injustice it is responsible for.
Lately, the graffiti I’ve stumbled upon around Cairo seems to be predominantly faces of pop icons, political figures and cartoon characters, mostly Western references but with several Egyptian icons as well. It’s an exciting and eclectic mix of Ghandi and Batman, Baradei and astronauts.
The walls of the Mogamaa are filled with protest graffiti. There’s rarely an empty space left between the large and colourful murals by HK, the witty caricature-like pieces by Hosny and the stencils by El Teneen, Sad Panda and many anonymous artists. Continue reading Protest Graffiti in Tahrir – The Mogamaa
‘Stop taking photographs of this, go to a museum,’ he mutters as he walks past me.
I’m standing in front of the American University in Cairo’s library wall, photographing a graffiti piece depicting video game characters Ryu and Mr. Bison, the latter wearing a Tantawi face that has been neatly slashed with red paint.